This is another wonderful journey of Wes Anderson in India, and exotic enough, would this be his own way of deconstructing his world...Roman Coppola continues his role of an assistant director to add his belle-motion filming into the pilgrimage story of the three brothers. Spiritual, and funny enough would this film-noir continues to be a vivid stream of cinematology of the Hollywood world. It carries the Western value of the mythic world of the East. Darjeeling, a daily word of their life now, forms a very symbolic approach to this paysage region in India. Wes Anderson and Roman Coppola enjoy the possibilities and variations in their film. Part 1 of the film is a truly root of transition from the Parisian world into an adventurous kaleidoscopic discovery of Darjeeling, or the moment of pause and quietness away from the modern people's life. The rhythm of the film is nice, and the pace speaks the language of the film. Of course, the suitcases sponsored by Marc Jacob and Louis Vuitton are the main character of the film. Bill Murray is always lovely in the film.
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