I did not have thought of too much how it would be years later when I worked on some script writing for drama at the very beginning...It was always a step of my personal growth. We call this 'experience'. Actually I know that I did not really have managed to produce a controllable flow of story with dramatic elements on the stage. I thought of a lot how I was creating the script and the many nice moments in my mind failed to appear on the stage during the performance. This is basically the technique of stage work. A tight schedule was usually a major factor of failure too. In those days, funding was a big problem for organising a drama show for our group, but my will had never been inviting just some friends to come and support what I wanted to do. This was a bit meaningless to me. I did not see drama as a sake of profit or socialising with my communities. I had a silly but simple aim like many other young artists to express my thought through the performing arts. I still recall the moment when I was writing hard my script in Beijing or beside the window in the room of Grenoble. It was a passionate moment in my good times. Time may have killed some of the intention...
After years...
Recently I met 2 friends separately in Paris, and coincidently they were surprisingly an audience of our drama before. They were sitting just a few metres away from my stage, and I could not have imagined that after years, we would meet each other in Paris and talk about the drama again...
I really do not know how the great directors or artists would think when they work on a project and if their works would have perhaps influenced others' way of thinking. Of course, I admire a lot of them, and this is just an interesting feeling to me to talk to some audience again in such an unexpected occasion. I wish there would not be too much a critics. ;p
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